英文翻譯
急徵-英文翻譯高手--3篇短文
內文如下~~
1.
Surprise lucky dips
Fukubukuro (lucky bags) is a Japanese New Year’s Day custom in which retailers put together random bags of old stock and sell them at a discounted price over the holiday period.
The tradition was invented by the Matsuya department store in the Tokyo area of Ginza during the late Meiji emperor’s reign (1868–1912). Since then it has been adopted by most retailers in Japan, as well as certain stores in Honolulu and the US.
2.
Colour by numbers
The exhibition Colour Chart: Reinventing Colour 1950 to Today features works by 44 modern and contemporary artists including Gerhard Richter, Andy Warhol, Damien Hirst, and Angela Bulloch. It explores the use of ready-made colour both bought and found from everyday life, such as gaffer tape, fluorescent bulbs and car paint.
3.
Theatrical
Miami-based sculptor Cristina Lei Rodriguez provokes the viewer through a collision of contrasts in a complex study of controlled assemblage.
In Rodriguez’s garden, fake foliage takes on the role of theatrical mimicry, combining the organic and the plastic, and the beautiful and the monstrous in a chaotic mass to create a glamorised resemblance of vegetation.
謝謝
(請勿使用翻譯軟體.我需要通順的文章.感恩!)
內文如下~~
1.
Surprise lucky dips
Fukubukuro (lucky bags) is a Japanese New Year’s Day custom in which retailers put together random bags of old stock and sell them at a discounted price over the holiday period.
The tradition was invented by the Matsuya department store in the Tokyo area of Ginza during the late Meiji emperor’s reign (1868–1912). Since then it has been adopted by most retailers in Japan, as well as certain stores in Honolulu and the US.
2.
Colour by numbers
The exhibition Colour Chart: Reinventing Colour 1950 to Today features works by 44 modern and contemporary artists including Gerhard Richter, Andy Warhol, Damien Hirst, and Angela Bulloch. It explores the use of ready-made colour both bought and found from everyday life, such as gaffer tape, fluorescent bulbs and car paint.
3.
Theatrical
Miami-based sculptor Cristina Lei Rodriguez provokes the viewer through a collision of contrasts in a complex study of controlled assemblage.
In Rodriguez’s garden, fake foliage takes on the role of theatrical mimicry, combining the organic and the plastic, and the beautiful and the monstrous in a chaotic mass to create a glamorised resemblance of vegetation.
謝謝
(請勿使用翻譯軟體.我需要通順的文章.感恩!)